Before I dig into today's article I wanted to share an amazing experience I had while writing this week. Actually, it was last night but that's beside the point. I know many, if not all, of you have experienced the emotion or energy displayed within a particular scene you are currently writing. For example, how many of you get pumped up while writing a really energized action scene? How about a scene with thrills and chills so intense you take a break from writing because you never thought you could write like that?
Last night was similar to those examples but completely different. I have to admit, I was in the zone as soon as I started writing. I wrote a romantic scene, a thought provoking scene, and a bloody action scene. Yes, that is a lot of writing and that is also a lot of emotion. What surprised me; however, wasn't the emotional ride but the fact that I found myself relaxing the more I wrote. The action scene was the last for the night and I figured I would be pumped up; it was the complete opposite. I was super relaxed when I saved and shut down the computer. Has this ever happened to you?
I came to a conclusion last week. This decision will have a severe impact on my writing but it is one I feel confident in making. It all came about during a conversation with my wife during dinner; we were discussing my books and my writing projects. She is my number one fan so she is rather interested in what I have in store. She caught me off guard when she compared my two novels. Her remark was 'your second is much better than your first, I think you should write more books like that.' This really got me thinking. You see, my first novel is more of a romance and my second is a dark fantasy/horror. Yea, I know, those two genres are not close at all but I have good reason for each. The first is one that has been on my mind for years and I originally planned for it to be a trilogy. The second comes from a sheer passion and enjoyment of the topic; the same goes for my four other planned novels.
After I did some serious thinking and some additional talking with my wife (I use her to bounce ideas off of at times). I decided that romance is just not the right genre for me. I believe my voice is much stronger in other genres; time will tell on that theory. So, what do I do with my first novel? I mean, this is the same novel I've been shopping around and now I'm just going to dump it? No, this is a story I'm determined to tell but in a different format. Like I said before, I planned for it to be a trilogy; now it will be a standalone novel. This will require me to rewrite the entire novel. Some of the original story I will keep but most will fall away. Is it worth my time to rewrite it? Absolutely; I want to tell this story. Once I'm done I believe the story will be much stronger and the ending will have more punch to it. The ending now is a little hurried.
Why did I come to this decision? For starters, all the rejections got me thinking real hard about the story. This scrutiny led me to the ending which, I have to admit, is a little shaky. No, I'm not happy to have to say that but sometimes the truth hurts. I also saw something missing in the original novel. It is only because I wrote the second novel that I was able to notice it. This omission really took away from the tension and suspense of the story.
What have I learned? I think I jumped the gun by submitting it but then again, maybe I didn't. As we write we improve our skill set and this provides us with a more critical eye for the next project, or in this case a previous one. Is it a bad thing to rewrite a novel? Absolutely not; if you decide you need to do a rewrite it is because you feel like you can make it better. It is a little bit of a shock when you jump to another genre and realize the one you were in doesn't fit very well but those are the growing pains of an author's life.
Be it a rewrite of a novel, a jump to a new genre or both, sometimes a change in direction is just what you need to get you back on the right path.
WELCOME
Jul 30, 2010
Jul 27, 2010
First Page or Last? Which is More Important? By Jody Hedlund
It is my great honor and privilege to have author, Jody Hedlund as a guest on the New Author. I met Jody on Twitter but after reading her blog I knew she had some great information to share with us about writing and getting published. I was simply thrilled when she agreed to take time out from her book and prepare this article for us today. I now turn the New Author over to her.
Which is more important to the success of a book, the first page or the last?
Brian asked me that question on Twitter a while back and I told him I’d need a post to answer it! So, since he asked, I’m delighted I have free reign to share my opinion!
Here’s how I see it: The first page is critical in making the first sale. The last page is crucial to making the second.
The first page is critical in making the first sale.
Most of us have heard just how critical the first page is to a book—especially to readers who are picking it up cold, off the shelf in a bookstore. The cover will attract them first, maybe the title. Then they’ll read the back cover blurb and if that perks their interest, they’ll probably flip it open to the first page of the first chapter.
If the beginning line grabs their attention, they’ll read a little further to determine whether the book is indeed worthy of their hard-earned dollar. Most won’t flip to the back chapter and read the ending. Instead they’ll base their initial impressions on what they find in Chapter One.
Same thing with agents and editors. The first chapter or two is critical in “selling” our books to them. Author friend, Cheryl Wyatt did a poll of agents and editors to find out how far they read before they know if they want the book: Close to 97% of them said they know by page 10. Over 50% of them know by the end of page 1.
Without a doubt, the first page (or pages) have to be our best or we won’t have a flying chance to get a reader or agent or editor to stay with us long enough to wow them with our story.
The last chapter is crucial to making the second sale.
Everything that happens in the middle of the book is important too. After all, if you’re like me, you’ve put down more than one book that began to drag near the middle and then never picked it back up again.
However, I can forgive a bit of middle doldrums every now and then if the story is riveting enough. But I can’t forgive a bad ending. When we invest hours of our time into reading the book, when we grow attached to the characters, and when the plot moves us, there’s nothing more disappointing than a “bad” ending.
I’m not saying every story needs a happily-ever-after (HEA). But every author must have enough skill to weave all of the seemingly impossible internal and external plot threads together in such a way that the reader puts the book down with a satisfied sigh.
Endings that are contrived, rushed, tied up too neatly, or any other number of problems, can cost us. Our readers will be less likely to buy our next book if we don’t give them the satisfying conclusion to the story they’re expecting. Sure, we can surprise our readers with HOW we end the book, but we can’t let them down with WHAT. And that WHAT is satisfaction.
Ultimately, readers want to walk away from a book satisfied. And the climax, resolution, and last scene will stick—for good or bad—long after the book is done.
In summary: The first and last pages are both HOOKS. For new or debut authors, the first page hook is incredibly critical in getting people interested in reading further. If we want to develop a loyal readership and sell subsequent books, then our endings need to HOOK our readers into wanting to go out and buy our next one.
So that’s my opinion! What’s yours? Which do you think is more important, the first or last page? And why?
Jody Hedlund is a debut historical romance novelist who was a double finalist in the 2009 ACFW Genesis Contest in Historical Romance. She received a bachelor’s degree from Taylor University and a master’s from the University of Wisconsin, both in Social Work. Currently she makes her home in central Michigan, with her husband and five busy children.
Her debut book, The Preacher’s Bride, is available for pre-order on Amazon.com. Stop by her blog, Author, Jody Hedlund, where she chronicles her journey to publication and dispenses more of her two-cent writing wisdom.
Brian asked me that question on Twitter a while back and I told him I’d need a post to answer it! So, since he asked, I’m delighted I have free reign to share my opinion!
Here’s how I see it: The first page is critical in making the first sale. The last page is crucial to making the second.
The first page is critical in making the first sale.
Most of us have heard just how critical the first page is to a book—especially to readers who are picking it up cold, off the shelf in a bookstore. The cover will attract them first, maybe the title. Then they’ll read the back cover blurb and if that perks their interest, they’ll probably flip it open to the first page of the first chapter.
If the beginning line grabs their attention, they’ll read a little further to determine whether the book is indeed worthy of their hard-earned dollar. Most won’t flip to the back chapter and read the ending. Instead they’ll base their initial impressions on what they find in Chapter One.
Same thing with agents and editors. The first chapter or two is critical in “selling” our books to them. Author friend, Cheryl Wyatt did a poll of agents and editors to find out how far they read before they know if they want the book: Close to 97% of them said they know by page 10. Over 50% of them know by the end of page 1.
Without a doubt, the first page (or pages) have to be our best or we won’t have a flying chance to get a reader or agent or editor to stay with us long enough to wow them with our story.
The last chapter is crucial to making the second sale.
Everything that happens in the middle of the book is important too. After all, if you’re like me, you’ve put down more than one book that began to drag near the middle and then never picked it back up again.
However, I can forgive a bit of middle doldrums every now and then if the story is riveting enough. But I can’t forgive a bad ending. When we invest hours of our time into reading the book, when we grow attached to the characters, and when the plot moves us, there’s nothing more disappointing than a “bad” ending.
I’m not saying every story needs a happily-ever-after (HEA). But every author must have enough skill to weave all of the seemingly impossible internal and external plot threads together in such a way that the reader puts the book down with a satisfied sigh.
Endings that are contrived, rushed, tied up too neatly, or any other number of problems, can cost us. Our readers will be less likely to buy our next book if we don’t give them the satisfying conclusion to the story they’re expecting. Sure, we can surprise our readers with HOW we end the book, but we can’t let them down with WHAT. And that WHAT is satisfaction.
Ultimately, readers want to walk away from a book satisfied. And the climax, resolution, and last scene will stick—for good or bad—long after the book is done.
In summary: The first and last pages are both HOOKS. For new or debut authors, the first page hook is incredibly critical in getting people interested in reading further. If we want to develop a loyal readership and sell subsequent books, then our endings need to HOOK our readers into wanting to go out and buy our next one.
So that’s my opinion! What’s yours? Which do you think is more important, the first or last page? And why?
Her debut book, The Preacher’s Bride, is available for pre-order on Amazon.com. Stop by her blog, Author, Jody Hedlund, where she chronicles her journey to publication and dispenses more of her two-cent writing wisdom.
Jul 26, 2010
No-Hassle Publishing
Title: No-Hassle Publishing : An Author’s Guide to Today’s Changing Industry
Author: Donna Erickson
ISBN: 978-1-61658-653-9
Genre: Resource
Pages: 30
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
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Author’s need a leg up in this ever-changing industry called publishing.
You’ve typed those magical words ‘the end’ on your manuscript; now what? In the old days, an author could only pursue an agent or knock on the doors of a publishing house, but in today’s world authors have options. What are those options? In “No-Hassle: An Author’s Guide to Today’s Changing Industry” we find the answer to that question and more.
“No-Hassle: An Author’s Guide to Today’s Changing Industry” is a road map through the rough terrain of today’s publishing landscape. Each option available to authors has its own set of advantages and disadvantages; knowing them is critical for success.
Is copyediting important? How can authors identify a scam or self-publishing company with a poor reputation? Is self-publishing closing the gap with publishing?
Donna Erickson, owner of A Flair for Writing, believes in credible and reliable services for authors. In “No-Hassle: An Author’s Guide to Today’s Changing Industry,” Donna shares her decades of knowledge and experience in the publishing industry. From publishing to editing, her insight is crucial to the information presented in this book.
Like authors, publishing companies get one chance to make a first impression. In “No-Hassle: An Author’s Guide to Today’s Changing Industry” we are introduced to a publishing company that is striving to rise above the rest. A Flair for Writing – Publishing Services was created to provide authors with not only needed services such as editing but also as a loyal and credible source for publishing.
“No-Hassle: An Author’s Guide to Today’s Changing Industry” is a handy resource outlining the publishing options available to authors today. I recommend this guide to anyone writing a book or thinking of entering the world of writing.
Knowledge is power and with the knowledge contained in this book, we will be better prepared to make wiser decisions when navigating the publishing industry.
To learn more about Donna and her company, A Flair for Writing please visit her site HERE.
Author: Donna Erickson
ISBN: 978-1-61658-653-9Genre: Resource
Pages: 30
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
Author’s need a leg up in this ever-changing industry called publishing.
You’ve typed those magical words ‘the end’ on your manuscript; now what? In the old days, an author could only pursue an agent or knock on the doors of a publishing house, but in today’s world authors have options. What are those options? In “No-Hassle: An Author’s Guide to Today’s Changing Industry” we find the answer to that question and more.
“No-Hassle: An Author’s Guide to Today’s Changing Industry” is a road map through the rough terrain of today’s publishing landscape. Each option available to authors has its own set of advantages and disadvantages; knowing them is critical for success.
Is copyediting important? How can authors identify a scam or self-publishing company with a poor reputation? Is self-publishing closing the gap with publishing?
Donna Erickson, owner of A Flair for Writing, believes in credible and reliable services for authors. In “No-Hassle: An Author’s Guide to Today’s Changing Industry,” Donna shares her decades of knowledge and experience in the publishing industry. From publishing to editing, her insight is crucial to the information presented in this book.
Like authors, publishing companies get one chance to make a first impression. In “No-Hassle: An Author’s Guide to Today’s Changing Industry” we are introduced to a publishing company that is striving to rise above the rest. A Flair for Writing – Publishing Services was created to provide authors with not only needed services such as editing but also as a loyal and credible source for publishing.
“No-Hassle: An Author’s Guide to Today’s Changing Industry” is a handy resource outlining the publishing options available to authors today. I recommend this guide to anyone writing a book or thinking of entering the world of writing.
Knowledge is power and with the knowledge contained in this book, we will be better prepared to make wiser decisions when navigating the publishing industry.
To learn more about Donna and her company, A Flair for Writing please visit her site HERE.
Jul 20, 2010
An Intimate Look at the Author - Publisher Relationship
A few weeks ago I received an e-mail from author Greg Dawe. In chatting with him I soon realized he had some very helpful information that we could all use. I invited him to prepare an article for The New Author and he graciously accepted. I asked him if he could share some insight with us about the relationship between author and publisher. He went above and beyond with his article because not only did he share his insight but he also got his publisher to share their insight as well. The following is from author Greg Dawe:
The benefits of being published by a raptor among lumbering herbivores.
As a recently published debut novelist, I’ve worked much more closely than I’d anticipated with Caffeine Nights Publishing, both in the editing process and in shaping a promotional strategy for my novel, Theta Head. It’s been very much a two way exchange of ideas and information and that strategy is evolving even as I type. Really, it is; as I write this I’ve pinged a few emails back and forth with my publisher discussing the creative side of editing Theta Head’s book trailer/author interview video. I couldn’t ask for a closer, more creative relationship than that.
So what exactly does my publisher do for me?
To begin with all I have is my book, which I wrote for a reason. That reason was because I hadn’t seen many contemporary novels which dealt with technology and character in an intimate way before. The theme of Theta Head – technology bringing people closer to themselves as well as to other people – was one I was keen to explore. So I researched who else was interested in this topic and gradually built up a picture of my target demographic. That’s great, I thought, but what do I do with that list?
This is where a small publisher is so invaluable. As a professional media company Caffeine Nights has the contacts, the press lists and press kits, which I do not. They are able to take my information and then directly target this group of potential book buyers. And they have the experience to get the most out of those contacts, something, as a non-professional media person; I would more than likely make a blubbering mess of.
Author/Publisher Intimacy
Working this closely has given me invaluable insight into how publishing works, how much leg work is involved in getting things off the ground - especially promotion - how much persistence is needed, and how being with a small publisher has many advantages, the main one being author/agent intimacy. Small publishers are dynamic, able to react quickly to get reviews or interview requests out. Above all, they listen. They want to know what my opinions are. They take into consideration my strengths and weaknesses when it comes to marketing. And last but not least, they don’t laugh at me when I look puzzled when they say things like ‘you need to develop a platform.’ Plat… what? Form… of plats? So now I know what a platform is and I’m slowly developing one. But like I said, it’s a two way dynamic exchange of ideas and information, one which is evolving as I type, and one which I genuinely hope other authors have the benefit of experiencing.
What does Caffeine Nights Publishing bring to the table for marketing and promoting?
The Internet has rapidly changed the way publishers work. It is easier for a smaller publisher with a sustainable roster of authors to work on a one to one level and make them part of the whole process of publishing from collaboration on artwork and editing to gearing a specific marketing/public relations plan for the book and author. Publishers need to remember that each book and author is different. What worked for one author may not suit or work for another so building a relationship of trust and collaboration is vital. Greg has been very proactive and conducted lots of research into areas he wishes to influence. By working closely together we can target those areas with greater effect. We are constantly looking at new tools and ways to reach people with our books and also to make the process of working with an author easier. We have a good grounding in public relations so we have had success on all media with our books and authors and that includes TV, radio, newspapers, magazines, blogs, and specialist websites. Where possible we will also make films with our authors and distribute them through our own website (cnpublishing.co.uk), YouTube channel (Caffeine Nights Films) video distribution services and importantly social media.
What guidance do they lend after the book has been released?
Small publishers do not have the advertising or marketing budgets of the mainstream publishers – nowhere near it. So we have to be smart, we also have to be realistic and tell our authors the chance of their book flying off the shelf from day one is low and then some. It is more a case of building a profile for the book and author. Our investment is pretty much long term and we aim to sustain interest in titles for as long as we can. We don’t have 30 to 40 titles out a week and it’s not a case of pumping the title out there and moving on. We will publish only 8 to 10 titles in a year so we can concentrate on each author. For us a key word is sustainable, everything has to be sustainable. The book industry is one of the dirtiest in terms of waste and carbon footprint and our environmental ethos is reflected in the way we work with authors. Authors ask will my book be in the book shops, the question should be “Will it sell in the book shops?” . We could go down the route of printing thousands of copies (like the mainstream publishers) flooding the stores and then passing the remainders on to supermarkets to be sold for £1.99 or returned to landfill but we want to be different. We will do our best to create the demand, we will support authors, we will arrange books signing, we will send books for review and we will run good PR campaigns for each and every author. The public decide if it will sell.
Do they work with authors as a team or send them out into the world on their own?
We work as a team, though many aspects are daunting for authors, such as the first public engagement or book signing. We brief our authors for media and what to expect. Most will have had some form of experience in front of our cameras to help them prepare for interviews. We try to be as pro-active as possible and look for new ideas. Working with an author is paramount to any success the book will have to not do so would be a wasted investment.
For more information about Greg Dawe and Caffeine Nights Publishing please visit these links:
http://gregdawe.com/
http://www.cnpublishing.co.uk/
As a recently published debut novelist, I’ve worked much more closely than I’d anticipated with Caffeine Nights Publishing, both in the editing process and in shaping a promotional strategy for my novel, Theta Head. It’s been very much a two way exchange of ideas and information and that strategy is evolving even as I type. Really, it is; as I write this I’ve pinged a few emails back and forth with my publisher discussing the creative side of editing Theta Head’s book trailer/author interview video. I couldn’t ask for a closer, more creative relationship than that.
So what exactly does my publisher do for me?
To begin with all I have is my book, which I wrote for a reason. That reason was because I hadn’t seen many contemporary novels which dealt with technology and character in an intimate way before. The theme of Theta Head – technology bringing people closer to themselves as well as to other people – was one I was keen to explore. So I researched who else was interested in this topic and gradually built up a picture of my target demographic. That’s great, I thought, but what do I do with that list?
This is where a small publisher is so invaluable. As a professional media company Caffeine Nights has the contacts, the press lists and press kits, which I do not. They are able to take my information and then directly target this group of potential book buyers. And they have the experience to get the most out of those contacts, something, as a non-professional media person; I would more than likely make a blubbering mess of.
Author/Publisher Intimacy
Working this closely has given me invaluable insight into how publishing works, how much leg work is involved in getting things off the ground - especially promotion - how much persistence is needed, and how being with a small publisher has many advantages, the main one being author/agent intimacy. Small publishers are dynamic, able to react quickly to get reviews or interview requests out. Above all, they listen. They want to know what my opinions are. They take into consideration my strengths and weaknesses when it comes to marketing. And last but not least, they don’t laugh at me when I look puzzled when they say things like ‘you need to develop a platform.’ Plat… what? Form… of plats? So now I know what a platform is and I’m slowly developing one. But like I said, it’s a two way dynamic exchange of ideas and information, one which is evolving as I type, and one which I genuinely hope other authors have the benefit of experiencing.
The Internet has rapidly changed the way publishers work. It is easier for a smaller publisher with a sustainable roster of authors to work on a one to one level and make them part of the whole process of publishing from collaboration on artwork and editing to gearing a specific marketing/public relations plan for the book and author. Publishers need to remember that each book and author is different. What worked for one author may not suit or work for another so building a relationship of trust and collaboration is vital. Greg has been very proactive and conducted lots of research into areas he wishes to influence. By working closely together we can target those areas with greater effect. We are constantly looking at new tools and ways to reach people with our books and also to make the process of working with an author easier. We have a good grounding in public relations so we have had success on all media with our books and authors and that includes TV, radio, newspapers, magazines, blogs, and specialist websites. Where possible we will also make films with our authors and distribute them through our own website (cnpublishing.co.uk), YouTube channel (Caffeine Nights Films) video distribution services and importantly social media.
What guidance do they lend after the book has been released?
Small publishers do not have the advertising or marketing budgets of the mainstream publishers – nowhere near it. So we have to be smart, we also have to be realistic and tell our authors the chance of their book flying off the shelf from day one is low and then some. It is more a case of building a profile for the book and author. Our investment is pretty much long term and we aim to sustain interest in titles for as long as we can. We don’t have 30 to 40 titles out a week and it’s not a case of pumping the title out there and moving on. We will publish only 8 to 10 titles in a year so we can concentrate on each author. For us a key word is sustainable, everything has to be sustainable. The book industry is one of the dirtiest in terms of waste and carbon footprint and our environmental ethos is reflected in the way we work with authors. Authors ask will my book be in the book shops, the question should be “Will it sell in the book shops?” . We could go down the route of printing thousands of copies (like the mainstream publishers) flooding the stores and then passing the remainders on to supermarkets to be sold for £1.99 or returned to landfill but we want to be different. We will do our best to create the demand, we will support authors, we will arrange books signing, we will send books for review and we will run good PR campaigns for each and every author. The public decide if it will sell.
Do they work with authors as a team or send them out into the world on their own?
We work as a team, though many aspects are daunting for authors, such as the first public engagement or book signing. We brief our authors for media and what to expect. Most will have had some form of experience in front of our cameras to help them prepare for interviews. We try to be as pro-active as possible and look for new ideas. Working with an author is paramount to any success the book will have to not do so would be a wasted investment.
For more information about Greg Dawe and Caffeine Nights Publishing please visit these links:
http://gregdawe.com/
http://www.cnpublishing.co.uk/
Jul 19, 2010
Between a Rock and a Hard Spot
I did very little writing this weekend. No, I'm not happy about that at all and it stinks that I can write it. I did do a great deal of soul searching. That does not really count when it comes to writing a novel or any other project but it was some of the hardest work I've done to date.
I share a great deal with all of you; both good and bad. Today, unfortunately, I have bad news. This weekend I was rejected by the publisher who requested a full manuscript. It is difficult to put in words how I felt after reading that one. I suppose I placed too much expectation and desire on this one because it was crushing. The entire weekend I found myself wondering if I should continue writing.
That rejection e-mail was read, by me, a number of times over the span of two days. I dissected it, analyzed it and searched it for any hidden messages of hope. To my surprise I found it. To my utter shock it made things worse. You see, I was encouraged to self-publish the book, get some reviews and build an audience. This suggestion placed me squarely in the cross roads. On one hand I could continue searching for an agent and/or publisher and on the other I could listen to this guidance and self-publish my book.
Me being me I decided to research self-publishing a little more and made a startling observation. Many talk about the pros and cons of self-publishing but few touches on the expense of it. I was a little surprised to find that the minimum you need to self-publish is $500. This is a problem; the majority of the time the fee does not include editing. In my opinion that is a critical step. When you include editing the price jumps to a minimum of approximately $1,000. No matter how you look at it; that is a lot of money.
That was enough for me to make the decision to continue my search but it did not alleviate my feeling of devastation. Is it my writing style (or lack thereof)? Is it my story? Is it simply because I'm terrible at writing? These questions and more plagued me. Fortunately for me I have some great friends around me (both close by and in cyberspace) that pointed out some interesting things to think about. For example, Stephen King was rejected approximately 100 times before breaking in and Harry Potter was pulled out of a trash can. There are no words that can express how much this support helped me.
What am I going to do? What is my plan of action? I've decided to keep plugging on and continue my search. I want to be published but I don't want to rush things and I want it done properly. My plan is to put a hold on my first novel, finish my second novel and get that one to my beta readers. While I'm waiting on their feedback I plan to revisit my first novel.
I will admit, this weekend was a huge blow to me and my writing but we both survived. I feel stronger for having to go through it but more importantly I feel good knowing there are friends and peers to lend that extra motivation when needed.
I share a great deal with all of you; both good and bad. Today, unfortunately, I have bad news. This weekend I was rejected by the publisher who requested a full manuscript. It is difficult to put in words how I felt after reading that one. I suppose I placed too much expectation and desire on this one because it was crushing. The entire weekend I found myself wondering if I should continue writing.
That rejection e-mail was read, by me, a number of times over the span of two days. I dissected it, analyzed it and searched it for any hidden messages of hope. To my surprise I found it. To my utter shock it made things worse. You see, I was encouraged to self-publish the book, get some reviews and build an audience. This suggestion placed me squarely in the cross roads. On one hand I could continue searching for an agent and/or publisher and on the other I could listen to this guidance and self-publish my book.
Me being me I decided to research self-publishing a little more and made a startling observation. Many talk about the pros and cons of self-publishing but few touches on the expense of it. I was a little surprised to find that the minimum you need to self-publish is $500. This is a problem; the majority of the time the fee does not include editing. In my opinion that is a critical step. When you include editing the price jumps to a minimum of approximately $1,000. No matter how you look at it; that is a lot of money.
That was enough for me to make the decision to continue my search but it did not alleviate my feeling of devastation. Is it my writing style (or lack thereof)? Is it my story? Is it simply because I'm terrible at writing? These questions and more plagued me. Fortunately for me I have some great friends around me (both close by and in cyberspace) that pointed out some interesting things to think about. For example, Stephen King was rejected approximately 100 times before breaking in and Harry Potter was pulled out of a trash can. There are no words that can express how much this support helped me.
What am I going to do? What is my plan of action? I've decided to keep plugging on and continue my search. I want to be published but I don't want to rush things and I want it done properly. My plan is to put a hold on my first novel, finish my second novel and get that one to my beta readers. While I'm waiting on their feedback I plan to revisit my first novel.
I will admit, this weekend was a huge blow to me and my writing but we both survived. I feel stronger for having to go through it but more importantly I feel good knowing there are friends and peers to lend that extra motivation when needed.
Jul 15, 2010
A Review From Gundarland
Title: Tales From Gundarland
Author: Hank Quense
ISBN: 978-1-4528-7126-4
Genre: Short Story Collection
Pages: 131
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
From Gundarland comes entertainment.
Gundarland, a land populated with elves, dwarves, humans and other intriguing races, is both like and unlike the world we live on. The characters must tackle and overcome many of the situations we find ourselves in everyday. The difference, of course, is how they overcome them. Some do it with cooking utensils, some with a mask and some do it with cunning and an unpredictable wand.
"Tales from Gundarland" is an action packed, comical roller coaster. This wonderfully developed land with its inhabitants is a refreshing get away from the world we live in. All of the multiple characters are both believable and unique which is a testament to the author’s talent.
Each of the eight short stories deliver a fresh, humorous spin on some of the classic tales such as Romeo and Juliet and Zorro; while poking fun at political greed and social aspects of life. Action and adventure keeps the pace moving at a steady pace; when combined with the humorous aspects the stories take on a vivid presence in the readers mind. The common denominator that holds them all together is Gundarland.
Which of the eight will be your favorite?
From the first word, Hank Quense’s passion for crafting gripping tales and quick wit takes center stage. Instantly, you are immersed in the land of Gundarland next to the multiple individuals that inhabit the planet. With each passing page, it is virtually impossible not to become part of the humor and adventure within “Tales From Gundarland.”
“Tales From Gundarland” delivers nonstop action and laughs with an intriguing pinch of romance. The unique stories, strong characters and multiple plots carry from story to story and page to page. This book is a must have for those seeking action, adventure and comedy bundled in short, deliberate stories.
Gundarland is sure to become one of your favorite places to visit after reading “Tales From Gundarland.”
If you would like to learn more about this very entertaining and talented author please visit his SITE.
Jul 14, 2010
I'M BACK
Hello everyone; I'm back from our vacation. We went to Gatlinburg Tennessee for a couple of days after I renewed my vows with my wife. The entire family was here on Saturday and that was a good time.
What did we do in Gatlinburg? We went to the most amazing aquarium I've been to so far. The shark tank was unbelievable as we walked through a tunnel in the middle of it. I have to be honest, it is a humbling feeling when you look up and see sharks swimming above your head. We also went to a dinosaur museum which was impressive. I think my son learned a lot and had fun; I know my wife and I did. You can't ask for more then that. Oh, did I fail to mention that we went to just about every shop in the area? Yea, I have to admit that they had some interesting things but please, don't tell my wife.
It is good to be back home; we're slowly getting back into the routine of things. This will be a short post today but I promise to have more for you tomorrow. I already have things lined up and ready to go so hang on tight and get ready for some entertaining articles.
Jul 9, 2010
On Vacation
I am starting my vacation today! I know, that means no new articles until I get back next Wednesday but I promise to share some fun and interesting articles with you then. In fact, I am gathering some very entertaining and informative guest articles from published authors. One includes the thoughts of his publisher as well.
Anyway, I'm on vacation so feel free to browse the site.
Anyway, I'm on vacation so feel free to browse the site.
Jul 6, 2010
Transformations - A Review
Title: Transformations Give up the Struggle
Author: Renee Wiggins
ISBN: 978-0-9825613-0-0
Genre: Inspirational/Motivational
Pages: 91
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
Motivation is right at your fingertips.
When life hands you lemons what do you do? When the storms of life are on your horizon do you turn and run or face them down? Many worry and struggle through situations like these; then there are those who choose to make lemonade with those lemons. In “Transformations Give up the Struggle” we find the inspiration and motivation that will not only provide us with a guide but also give us an instant source of up lifting energy.
“Transformations Give up the Struggle” is a collection of poetry, statements, verses, and thoughts centered on one theme…to inspire and motivate. At every turn in life we must face tough times. This book illustrates how we can learn, build and grow from these situations.
Change is difficult during the best of times but it is often during the rocky times of life that we must make the biggest changes. “Transformations Give up the Struggle” is a roadmap intended to help navigate us through those rocky times and enable us to make those needed changes. Change can happen and with the help and assurance within the pages of this book it can happen smoothly.
Renee Wiggins expresses the importance of positive thought throughout this book. Her desire to motivate, up-lift and inspire those in need can be felt on every page of “Transformations Give up the Struggle.” Her experience in the health and wellness field provides Renee with a unique perspective and understanding for this.
“Transformations Give up the Struggle” provides that little nudge of positive thinking that, at some time or another, we all need. I recommend this uplifting resource to anyone who must deal with hardship and/or difficulties in their life. That, in my opinion, is everyone.
Storms in life will come and go but we have, surrounding us, something positive and up-lifting to support us. This book provides multiple examples we can relate to.
If you would like to learn more about author Renee Wiggins please follow this link HERE.
Jul 5, 2010
Sometimes you have to retreat to move forward
Think about that title for a minute. It goes against ever ounce of conventional wisdom we have in this day and age. No, today we must keep pushing forward, always driving harder, and never seeing what is around us. To go slow is for wimps and to stop means you’re dead. That is what the world has become. Should it be like that? Did our forefathers do business in that manner? I don't think so.
When we retreat it could mean one of two things; one - we surrender of two - we take a moment to relax and recharge. I'm talking about the second one today. There are times when we need to put the pedal to the medal but then there are times when we need to pull back and just stop. How do you know when to do which?
I would say, first and foremost, if you are suffering from what could be writer's block or writer's burnout you need to retreat. It does not have to be a long retreat but it is always helpful to pull back and look at the big picture. Why are you writing? Look at your notes, short stories and some of your earlier work. What drove you to write those things? What intrigued you about your story idea? You just might add some fuel to that fire by looking at your writing roots. You may have a fresh brainstorm that will have the same result.
What if you're writing a book and it takes a turn for the worse? You find yourself in a corner or worse yet, you don't like what you've discovered about the topic. These are things that can make writing brutal. This is also the perfect time to retreat. Go back through your notes and ideas; reread what you have to date. Maybe you will find a new direction or a twist that will make the story flow better for you. Maybe this broader review will show you that you need to move on and come back to this story at a later date. All of these things are progressive. These are the things that move us forward.
We always want to move forward and be productive with our writing. Many, if not all, of us measure that productivity by the word count for a particular day. When we don't reach that word count we get down or a little frustrated because we were not productive. Granted, this works most of the time; however, I believe we can be productive by other means as well.
Writing starts in the brain and runs to the screen. If we prepare our minds and refresh our vigor once in a while then we are maintaining ourselves to be productive for a longer period of time. That is very important because that will avoid writer's burnout.
I'm sure we have run into situations that caused us to pause and think "should I press on or should I go back?"
Don't feel bad if you decide to go back or even pause for duration of time. This recharge or revisiting of the beginning could lead to things otherwise missed.
Writing is very much like life; we focus on one thing, in this case the story, until it's done. Like life things can pass us by; very important things that has the potential of making a manuscript great instead of good. Take time to retreat to make sure you're moving forward.
When we retreat it could mean one of two things; one - we surrender of two - we take a moment to relax and recharge. I'm talking about the second one today. There are times when we need to put the pedal to the medal but then there are times when we need to pull back and just stop. How do you know when to do which?
I would say, first and foremost, if you are suffering from what could be writer's block or writer's burnout you need to retreat. It does not have to be a long retreat but it is always helpful to pull back and look at the big picture. Why are you writing? Look at your notes, short stories and some of your earlier work. What drove you to write those things? What intrigued you about your story idea? You just might add some fuel to that fire by looking at your writing roots. You may have a fresh brainstorm that will have the same result.
What if you're writing a book and it takes a turn for the worse? You find yourself in a corner or worse yet, you don't like what you've discovered about the topic. These are things that can make writing brutal. This is also the perfect time to retreat. Go back through your notes and ideas; reread what you have to date. Maybe you will find a new direction or a twist that will make the story flow better for you. Maybe this broader review will show you that you need to move on and come back to this story at a later date. All of these things are progressive. These are the things that move us forward.
We always want to move forward and be productive with our writing. Many, if not all, of us measure that productivity by the word count for a particular day. When we don't reach that word count we get down or a little frustrated because we were not productive. Granted, this works most of the time; however, I believe we can be productive by other means as well.
Writing starts in the brain and runs to the screen. If we prepare our minds and refresh our vigor once in a while then we are maintaining ourselves to be productive for a longer period of time. That is very important because that will avoid writer's burnout.
I'm sure we have run into situations that caused us to pause and think "should I press on or should I go back?"
Don't feel bad if you decide to go back or even pause for duration of time. This recharge or revisiting of the beginning could lead to things otherwise missed.
Writing is very much like life; we focus on one thing, in this case the story, until it's done. Like life things can pass us by; very important things that has the potential of making a manuscript great instead of good. Take time to retreat to make sure you're moving forward.
Jul 1, 2010
Do You Have All The Pieces In Place
Did you know it takes more than one person to put a book together? Here I was thinking writing was a solitary business when, in all honesty, it isn't. I've learned that we need a team to get our manuscripts from idea to agents/publishers desk. Who makes up this team of wordly warriors? Why are they important?
The following is a breakdown of the team members we will need at some point in our writing career. If you have all of them in place chances are you have a contract with a publisher and/or agent. This list is in no particular order as they are equally important along the road of the writing industry.
The writer - This is you, me and everyone else in the world striving to get their ideas on paper. It all starts and ends right here. Along the way you will change your title from 'writer' to 'author' and also pick up some additional responsibilities. We will get to that in a moment.
Critique Group - Beginning writers will want some feedback on their skill and style. Most likely we will want to know this information before we dive into our first novel. We write a short story or two for the critique groups to tear apart so we can gauge where we are then grow from it and move on.
Beta Readers - This group of individuals (anywhere from 2 to 10 people) is completely different from the critique group. This group will get your entire manuscript after you have edited and revised it a few times. That's right; they will read the whole thing before anybody else does. With that said, whoever we select must be trustworthy without a doubt. The feedback beta readers will give is of great use and importance; they are the only other eyes to see it beside our own. Do they like it? Did they get hooked? Did they see plot holes or problems with the characters? The group will help you put a far better shine on your manuscript before it even gets a sniff from an agent and/or publisher.
The Agent - If you decide to go with an agent and find one; they will be a great asset to you. Not only do they have the connections to the publishing houses but they will also take your manuscript a step beyond what the beta readers did. They will tear your manuscript apart in order to get it where it needs to be. Caution - you must be flexible when in this situation so maintaining your story can get tough at times. In the end your agent will help you get your manuscript ready and where it needs to be; which is with the correct publisher.
The Editor - The editor is the true executioner of the manuscript. They are in charge of finding the problems, be it big or small, and have you fix them. If you have an agent the editor will come into play after your manuscript is picked up by a publisher. If you skip the agent then you will need a private editor to do the job for you. This is of critical importance if you are self publishing. If you are working with a good editor you can rest assured that your manuscript with be extremely well polished when they are done with it.
The Publisher - This is the end game. Whether you self publish or work with a traditional publisher this is where we all want to be when the dust settles. What do they do? They make the book and distribute it, they help (a little) with marketing, and they give contracts for future manuscripts to name a few things.
The marketer or promoter - Also see 'the writer' or 'the author'. Yes, you will be responsible for the majority of the promoting and marketing regarding your book. You are in charge of getting it out there for others to notice. There are promotional companies out there that can (and will) help with your book promotion. Some are actually very good; but you are still the one making all the moves and decisions.
And finally...
Your significant other - Let's face it, we will get tired and discouraged. We will want to give up or, at times, want to work ourselves until we fall over. It is at these times when we will need their support, their energy to keep us going. They play a very important part in this too.
As you can see there are a lot of players involved in the book publishing process. We are not alone in this business. Do you have all the pieces in place?
The following is a breakdown of the team members we will need at some point in our writing career. If you have all of them in place chances are you have a contract with a publisher and/or agent. This list is in no particular order as they are equally important along the road of the writing industry.
The writer - This is you, me and everyone else in the world striving to get their ideas on paper. It all starts and ends right here. Along the way you will change your title from 'writer' to 'author' and also pick up some additional responsibilities. We will get to that in a moment.
Critique Group - Beginning writers will want some feedback on their skill and style. Most likely we will want to know this information before we dive into our first novel. We write a short story or two for the critique groups to tear apart so we can gauge where we are then grow from it and move on.
Beta Readers - This group of individuals (anywhere from 2 to 10 people) is completely different from the critique group. This group will get your entire manuscript after you have edited and revised it a few times. That's right; they will read the whole thing before anybody else does. With that said, whoever we select must be trustworthy without a doubt. The feedback beta readers will give is of great use and importance; they are the only other eyes to see it beside our own. Do they like it? Did they get hooked? Did they see plot holes or problems with the characters? The group will help you put a far better shine on your manuscript before it even gets a sniff from an agent and/or publisher.
The Agent - If you decide to go with an agent and find one; they will be a great asset to you. Not only do they have the connections to the publishing houses but they will also take your manuscript a step beyond what the beta readers did. They will tear your manuscript apart in order to get it where it needs to be. Caution - you must be flexible when in this situation so maintaining your story can get tough at times. In the end your agent will help you get your manuscript ready and where it needs to be; which is with the correct publisher.
The Editor - The editor is the true executioner of the manuscript. They are in charge of finding the problems, be it big or small, and have you fix them. If you have an agent the editor will come into play after your manuscript is picked up by a publisher. If you skip the agent then you will need a private editor to do the job for you. This is of critical importance if you are self publishing. If you are working with a good editor you can rest assured that your manuscript with be extremely well polished when they are done with it.
The Publisher - This is the end game. Whether you self publish or work with a traditional publisher this is where we all want to be when the dust settles. What do they do? They make the book and distribute it, they help (a little) with marketing, and they give contracts for future manuscripts to name a few things.
The marketer or promoter - Also see 'the writer' or 'the author'. Yes, you will be responsible for the majority of the promoting and marketing regarding your book. You are in charge of getting it out there for others to notice. There are promotional companies out there that can (and will) help with your book promotion. Some are actually very good; but you are still the one making all the moves and decisions.
And finally...
Your significant other - Let's face it, we will get tired and discouraged. We will want to give up or, at times, want to work ourselves until we fall over. It is at these times when we will need their support, their energy to keep us going. They play a very important part in this too.
As you can see there are a lot of players involved in the book publishing process. We are not alone in this business. Do you have all the pieces in place?
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