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May 26, 2010

Taking the Sting Out of a Rejection

You know, Twitter is an interesting....thing, program, or maybe a media outlet? What ever you want to call it the one thing that is true is that we can learn a great deal from it. I should correct that; we learn a great deal from those who are active on it.

As much as I like typing little updates and sharing with friends; that pales to the enjoyment I get from simply reading what others have to say. You can learn so much about the human thought process, emotions, and how people view the world around them. I am getting off topic but then again, this is the processes that lead me to my topic.

Today I was reading a number of tweets about agents and rejection letters. I know, we all say 'booooo' to rejection letters but this had a little more to it. The agent who was tweeting sympathized with authors and writers because of their frustration; not of getting rejected but of not having a reason for the rejection. We, who have submitted a manuscript, have received a rejection letter and we know first hand what she is talking about. After you receive a handful of those e-mails you begin to wonder what's wrong with your manuscript. It truly is a mystery because there is no guidance offered. This particular agent concluded that we, as writers, should continue submitting our work but to not expect anything to change - agents will not give guidance or reasons for rejections. This is a harsh truth we need to live with.

I don't know, maybe it's me, but I wouldn't say that I've been frustrated with rejection from agents. I see it as being a part of their job. That is what they do; they reject manuscripts until they find a handful that move them or can be sold to a publisher quickly (this is usually associated with a name that many recognize). No, I understand this is a business and agents must do what they have to survive in the world of publishing.

To be honest I would be much more frustrated if a critique group took my manuscript and tore it to shreds. Why is that? It is true that a critique group cannot get you published like an agent can but an agent's rejection leaves us hanging. It is very easy for us to think 'it didn't work for them but the story is good and well written.' Even after we get a dozen or so rejections we can still say the same thing because no reasons are given. In contrast to this, a critique group will give you reasons. You will not be hanging and wondering why they didn't like a part or why a section didn't flow smoothly because they will give you reasons.

Which is worse; being rejected with no reason or having problems identified with reasons? This could be seen as the chicken and the egg scenario because if we submit our manuscripts with the problems still in it then we will get rejected flat out but I'm looking at the process in which we get that information and how we react to it. This I find surprising, many will get angry and frustrated by an agents rejection but will either disregard or happily accept the negative feedback of a critique. For me it is a little opposite, I disregard the rejections from agents because there is simply nothing there to work with and really ponder on the feedback of critiques.

I really sweat when my work is in the hands of those critiquing it. That, in my opinion, is the moment of truth. If they come back with a truckload of negative feedback then I am faced with a possible major revision instead of celebrating the completion of a project. When I receive a rejection from an agent I usually read it a few times, file it away and move on to the next agent.

What I am really getting at here is this - getting rejected by an agent is not the end of the world or your project. Yes, it does sting because we know our manuscript is good but without guidance or a reason for the rejection it is just not helpful. With that said, if a critique group shreds our manuscript this too is not the end of the world; we just haven't reached the finish line yet but thankfully we now have some input to think about that just may get us there.

12 comments:

Patti said...

I totally agree. It's hard not to second guess yourself when you get a rejection, especially from an agent that you thought you'd love to have, but I've really come to realize that that the perfect agent is the one who loves your book.

Brian said...

Patti - An agent that loves your book is important but I would also add that a connection made between the writer and the agent is even better. That way, even if he/she doesn't like your second or third book they will work with you because they like you as an author.

Adventures in Children's Publishing said...

Brian, great post. This puts rejection into perspective. If you're involved with a critique group, you're likely going to get the feedback you are looking for that may answer the mail on what's not working. An agent's job is to accept representing the book, or to reject doing so. I wouldn't want someone representing me who wasn't fully behind my work.

Do you mind if we link this post to our Friday round-up of great posts? Your perspective contains such practical advice. Thanks so much!

Marissa

Brian said...

Marissa - I would consider it an honor to be included in your Friday wrap up. Thank you so much.

Tahlia said...

One publisher I spoke to said she only ever read the first page of a submission.

The agent that finally picked up my novel asked me to send only 3 pages and she asked for the rest of the ms after just that and a synopsis.

If this is the norm, then agents and publishers aren't in a position to give us feedback anyway.

I find that having no expectations is the way to not have any disappointments when I get rejections. That's why when I got an agent, I was alsmost shocked. All my research said it was practically impossible for an unpublished writer to pick up an agent. She loves my book and we got on really well, and it's great to have someone else wanting to get it published.

She did ask me to loose 19000 words from my YA fantasy novel, the first of a series of 4, but I was happy to comply.

You can read ch 1 on the Lethal Inheritance page of
http/:publishersearch.wordpress.com

Tahlia said...

One publisher I spoke to said she only ever read the first page of a submission.

The agent that finally picked up my novel asked me to send only 3 pages and she asked for the rest of the ms after just that and a synopsis.

If this is the norm, then agents and publishers aren't in a position to give us feedback anyway.

I find that having no expectations is the way to not have any disappointments when I get rejections. That's why when I got an agent, I was alsmost shocked. All my research said it was practically impossible for an unpublished writer to pick up an agent. She loves my book and we got on really well, and it's great to have someone else wanting to get it published.

She did ask me to loose 19000 words from my YA fantasy novel, the first of a series of 4, but I was happy to comply.

You can read ch 1 on the Lethal Inheritance page of
http/:publishersearch.wordpress.com

Bubblecow said...

I think it is important to remember that many writers are not rejected because their work is not up to scratch, but because it simply was not the right book for THAT agent or publisher. Each agent and publisher has their own areas of expertise and passions, they are often looking for a very particular type of books. If you add to this publishing trends and internal publishing goals and you can see that a book often has to be at the right place, at the right time.

meyerprints said...

http://ptolemymaps-meyerprints.blogspot.com/

Brian said...

Tahlia - First congratulations for finding an agent and getting published. That is great news. I agree with you that if you go in with no expectations you will be better prepared for anything. You also bring up an interesting point that many get rejected from just a portion of the manuscript.

Was it difficult to cut 19,000 words from your novel and maintain your flow and voice?

Bubblecow - You present a great point that is 100% true. We often need to be at the right place at the right time. With that said, do you think agents would be more efficient and productive if they gave a few suggestions to those they are rejecting of their peers who might be looking for that type of book?

Tahlia said...

Hi Brian

Strangely enough, it wasn't hard to get rid of those 19000 words. One reason was becasue I hadn't looked at the ms for 4 months, so I was able to take a fresh look and second my agent said - don't cut out any of the action, just look at every word and ask yourself if it really needs to be there.

You can see theof how I did it on my blog
http://publishersearch.wordpress.com

Chapter one is also there if you're interested.

Tahlia said...

Hi Brian

Strangely enough, it wasn't hard to get rid of those 19000 words. One reason was becasue I hadn't looked at the ms for 4 months, so I was able to take a fresh look and second my agent said - don't cut out any of the action, just look at every word and ask yourself if it really needs to be there.

You can see theof how I did it on my blog
http://publishersearch.wordpress.com

Chapter one is also there if you're interested.

Brian said...

Tahlia - Letting your MS rest for a time is something I do too. It really does help. I like the advice your agent gave you about looking at each word. I will check out your blog.