When is it right to kill off a character? When the plot calls for it? When you need something like that to spark the story again? These are correct answers but the correct question was not asked. The above are correct answers to the question - when is the right time to kill off a character.
The original question was 'when is it right to kill off a character?' What's the difference? I may be splitting hairs here but the timing of when you kill off a character is somewhat dictated by the flow and plot of your story. When is it right to do so comes from within the author.
We have heard time and time again that many characters in many books are based on real people. We have characters in our own books that have attributes from people we have come into contact with. Perhaps I am going to an extreme here so let’s back up a moment. Take for example you have a character in your novel that is based on...your mother-in-law. Now in real life you have a heated disagreement with your mother-in-law. How tempted are you to place the character in your novel that reminds you of her in harms way? Perhaps that character has an unfortunate accident. I believe it is safe to assume we all have these thoughts at some point. We connect with our characters and we can see the relation between the characters and the people we based them on.
I have many characters, plots and stories floating in my mind at the moment. I run the different scenarios by my wife to see her reaction and without fail if I mention killing off one of the main characters she replies "you can't do that, they are too much like this person or that person." Of course she is right and after I think on it for a while I start to feel a little guilty about it. I think this is dangerous though because when we start to feel guilty about hurting and/or killing a character because of a growing connection then we are limiting our scope and the directions our manuscripts can go. Let’s look at the mother-in-law example again. Say you actually directed your anger for her to your character and something bad happened to him/her but the next day you had a great time with your mother-in-law. Would you feel guilty and change that portion of your manuscript or let it ride?
Although this situation can become a hindrance to us as writers it can also be very liberating. We can have those unspoken arguments between our characters. We can have our say when we hold back our tongue in real life and we can demonstrate our full anger on a character if we are having one of those really bad, terrible, rotten, no good days. This is both the joy and danger of writing.
When is it right to kill off a character? You can decide that for your own manuscript but I would recommend a mixture of both points. When your plot and story call for it and when you have the pinned up emotion to really deliver it. This will contribute to the flow, keep your story moving forward, and deliver the emotion to really hit the readers. One more thing, if you unleash your anger on a character who reminds you of the person you are mad at and it works within the story run with it. Don't change it after you make up with that person because at the end of the day these are your characters in your book...the real person will never know how they influenced things.
WELCOME
Aug 31, 2009
Aug 28, 2009
PPS Book Title Promotion: "101 Slightly Unpredictable Tips for Novelists and Screenwriters"
Title: "101 Slightly Unpredictable Tips for Novelists and Screenwriters"
Author: Larry Brooks
ISBN: E-book
Genre: How-to
Pages: 141
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
“Innovative ways to jack your creative productivity and sell what you write.”
“101 Slightly Unpredictable Tips for Novelists and Screenwriters” is a how-to book on steroids. This is not a how-to book packed with theories or ideas or a get published quick process. As author Larry Brooks points out “there are no magic pills here.” What Brooks does supply is a list of 101 tips that any writer at any stage in their career will find
useful, helpful and informative. Each tip contained in “101 Slightly Unpredictable Tips for Novelists and Screenwriters” is supported with examples, quotes from experienced individuals and solid backing from Brooks’ own experience. Some tips are known but many are insightful and all with lend to expanding knowledge of writing as a skill and art.
“101 Slightly Unpredictable Tips for Novelists and Screenwriters” is a spotlight illuminating the dark areas along the road to publishing.
Author Larry Brooks is a bestselling author of four novels. In “101 Slightly Unpredictable Tips for Novelists and Screenwriters” Brooks is sharing with the reader the lessons learned along the way to publishing. This how-to book is not simply a list of tips as we see Brooks’ flare and personality shining through at just the right moments. This display of craftsmanship only adds to the creditability of “101 Slightly Unpredictable Tips for Novelists and Screenwriters.”
Anyone with just an inkling of desire to write needs to read “101 Slightly Unpredictable Tips for Novelists and Screenwriters.” The benefits received will improve your writing style and storytelling ability. “101 Slightly Unpredictable Tips for Novelists and Screenwriters” will be a great asset to any writer’s bookshelf.
You can pick up your copy of “101 Slightly Unpredictable Tips for Novelists and Screenwriters” and learn more about Larry Brooks HERE.
Aug 26, 2009
How Do You Like Your Stakes?
If you answered "medium rare" you may need to read the title again. No I didn't misspell it either. I'm talking about the stakes in your book, those things that build tension for the hero. For example, have you ever been to Las Vegas or seen a movie about gambling and the main character bets all or nothing on the roulette table. As that ball spins around and bumps the multiple numbers the tension builds and we move to the edge of our seats. Will he win big or lose his shirt?
That is a prime example of how high stakes adds high levels of tension to our manuscripts. Do you think the above example would have the same feel and impact if the main character placed a fifty dollar beat? Probably not. His financial livelihood was on the line and this is way the tension was high. But the main character doesn't have to be the only one with high stakes. Your villain can have them as well but he/she will handle those stakes differently. They will do horrible things because something important to them is at stake. For example, the wife of a billionaire suspects he is going broke because he bet everything on the roulette table so she kills him to maintain her lifestyle with the life insurance. They will achieve their goals no matter what and at any cost. You may be able to relate to the wife but you don't like her very much for her methods.
Can your stakes be too high? Never! The higher the better but if you have really high stakes, such as the annihilation of the human race, then you will need some smaller stake for the individual characters that build up to this all encompassing stake. For example, each character is in charge of obtaining certain items within a time limit, if they fail they die because all the items will be needed to save the human race. This is a generic example but you can see the stakes for each and how they lend to each other.
The main thing we should remember is that the stakes need to be significant within our plot for the story to take flight. What does that mean? Think about your story for a minute and ask yourself "what would be the ultimate sacrifice my hero could give to safe the day?" That is how high your stakes can go. Now look at your villain "what is the worst thing he/she can do to obtain their goal?" That is what the stakes will mean to them.
So, do you believe your stakes are high enough?
After all this talk I think I'm going to have a steak for dinner. Sorry, had to throw that in there.
That is a prime example of how high stakes adds high levels of tension to our manuscripts. Do you think the above example would have the same feel and impact if the main character placed a fifty dollar beat? Probably not. His financial livelihood was on the line and this is way the tension was high. But the main character doesn't have to be the only one with high stakes. Your villain can have them as well but he/she will handle those stakes differently. They will do horrible things because something important to them is at stake. For example, the wife of a billionaire suspects he is going broke because he bet everything on the roulette table so she kills him to maintain her lifestyle with the life insurance. They will achieve their goals no matter what and at any cost. You may be able to relate to the wife but you don't like her very much for her methods.
Can your stakes be too high? Never! The higher the better but if you have really high stakes, such as the annihilation of the human race, then you will need some smaller stake for the individual characters that build up to this all encompassing stake. For example, each character is in charge of obtaining certain items within a time limit, if they fail they die because all the items will be needed to save the human race. This is a generic example but you can see the stakes for each and how they lend to each other.
The main thing we should remember is that the stakes need to be significant within our plot for the story to take flight. What does that mean? Think about your story for a minute and ask yourself "what would be the ultimate sacrifice my hero could give to safe the day?" That is how high your stakes can go. Now look at your villain "what is the worst thing he/she can do to obtain their goal?" That is what the stakes will mean to them.
So, do you believe your stakes are high enough?
After all this talk I think I'm going to have a steak for dinner. Sorry, had to throw that in there.
Aug 24, 2009
PPS Book Title Promotion: "Blacke"
Title: "Blacke"
Author: Reagan Rothe
ISBN: 978-0-9821012-7-8
Genre: Suspense
Pages: 244
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
All that glitters is not gold.
Morton Blacke, the world renowned author, had it all. The mansion, fast cars, money to burn and fame. But behind the glitz and glamor were the remains of his broken and tattered private life. The demons that lurked there tormented Blacke’s every waking moment.
Eccentric and brazen, two words that describe Blacke. Everyone recognizes him from his string of bestselling novels but everyone is equally timid to talk to him. Blacke’s personality is a defense mechanism as he protects not only himself but those who get close to him.
As an author, Blacke never truly worked hard to develop best-selling novels. His metaphoric rise through the publishing world is unheard of. It is not a question of when his novels will become a bestseller but how big of a best seller. But, as with everything, there are dues to be paid. As Blacke ascends to new heights he must come to terms with the price he has paid and will pay. As the demons of past decisions mount, Blacke must make a new decision… continue gaining the fame and money or retreat and live life as a normal person does.
“Blacke” is a psychological thriller that will keep you guessing until the very last
I recommend “blacke” to those who think the grass is always greener on the other side and the fans of psychological suspense. You will be left wondering why “he is Blacke and you are not.”
Author: Reagan Rothe
ISBN: 978-0-9821012-7-8
Genre: Suspense
Pages: 244
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
All that glitters is not gold.
Morton Blacke, the world renowned author, had it all. The mansion, fast cars, money to burn and fame. But behind the glitz and glamor were the remains of his broken and tattered private life. The demons that lurked there tormented Blacke’s every waking moment.
Eccentric and brazen, two words that describe Blacke. Everyone recognizes him from his string of bestselling novels but everyone is equally timid to talk to him. Blacke’s personality is a defense mechanism as he protects not only himself but those who get close to him.
As an author, Blacke never truly worked hard to develop best-selling novels. His metaphoric rise through the publishing world is unheard of. It is not a question of when his novels will become a bestseller but how big of a best seller. But, as with everything, there are dues to be paid. As Blacke ascends to new heights he must come to terms with the price he has paid and will pay. As the demons of past decisions mount, Blacke must make a new decision… continue gaining the fame and money or retreat and live life as a normal person does.
“Blacke” is a psychological thriller that will keep you guessing until the very last
page. Author Reagan Rothe takes you where few have ever been… inside the
mind of another person. Rothe’s ability to show us the darkness within in
contrast to the fresh, vibrant settings is astounding. Rothe has developed
characters in “Blacke” that will be remembered more for their flaws and
short-comings than on their decisions and motivations.
The unknown specter in “blacke” instills enough suspense to make the reader wonder what is truly happening and what will happen by the end.
I recommend “blacke” to those who think the grass is always greener on the other side and the fans of psychological suspense. You will be left wondering why “he is Blacke and you are not.”
If you would like to learn more about "Blacke" and/or author Reagan Rothe you can follow this link.
Aug 21, 2009
No Word You Write is a Waste of Time or Energy
We are writers, so by the very nature of the word...we write. Most of us write every day. We have manuscripts, projects, short stories, and maybe even poems scattered everywhere. Years and years of different topics fill a filing cabinet or a closet. Then the day comes when we finish that one significant manuscript that contains not only words but hours of focus, planning and editing. As we hold that glowing piece of our creative mind in our hands we begin to wonder "will it get published?"
This is the time we take that next really big step. We submit our masterpiece to agents and publishers. We are machines as we ship it out to as many as we can find that represents our chosen genre. Once that made rush to the post office is complete we get the honor and privilege to sit and wait patiently. All the while we are constantly thinking "who’s going to publish my book?"
Weeks pass and suddenly the made rush starts again but in the opposite direction. First we get one or two letters then we get a flood. For every query or manuscript we sent out we receive a rejection letter in return. With a bruised ego we march back to our writing desk, our sunken heart skidding on the floor, and plop down in the chair. What happens next?
The above is what I can only imagine actually happens in the life of an author. Does it really happen? I'm sure it does. When it happens, it's important for us to remember something - they sent a response. Yes, it was a rejection but let me repeat, they sent a response. This means they read at least the first few pages.
But even more importantly we need to always remember that this is a journey not a mad dash. We may feel dejected, rejected, or down because our muse isn't working right or we can't get our books picked up but these things are temporary. What is not temporary is the journey. Every single word we write is a step along that journey. Each word I write for this article is a step. Each word you write on a napkin or notepad is a step on the road toward your goal. Writing is the only way we improve and get better. Sure, there will be potholes and obstacles along the way (mostly in the form of a rejection notice) but that will make it all the more sweeter when we get there.
As we write and improve we build momentum and confidence. That momentum carries us through to the finish line. With that said, always challenge yourself through your writing. Pull those kernels of knowledge and wisdom that can be found in rejection and criticism and use them. Look at all your writing not as a pile of papers with stories that stink on them but rather milestones along your journey.
In closing I will leave you with this statement from a senior editor. It's always good to close the day with some wisdom.
“In the life of a real writer, nothing is ever lost, no word you write is a waste of your time or energy.” - Dan Wickenden
Have a good weekend and happy writing.
This is the time we take that next really big step. We submit our masterpiece to agents and publishers. We are machines as we ship it out to as many as we can find that represents our chosen genre. Once that made rush to the post office is complete we get the honor and privilege to sit and wait patiently. All the while we are constantly thinking "who’s going to publish my book?"
Weeks pass and suddenly the made rush starts again but in the opposite direction. First we get one or two letters then we get a flood. For every query or manuscript we sent out we receive a rejection letter in return. With a bruised ego we march back to our writing desk, our sunken heart skidding on the floor, and plop down in the chair. What happens next?
The above is what I can only imagine actually happens in the life of an author. Does it really happen? I'm sure it does. When it happens, it's important for us to remember something - they sent a response. Yes, it was a rejection but let me repeat, they sent a response. This means they read at least the first few pages.
But even more importantly we need to always remember that this is a journey not a mad dash. We may feel dejected, rejected, or down because our muse isn't working right or we can't get our books picked up but these things are temporary. What is not temporary is the journey. Every single word we write is a step along that journey. Each word I write for this article is a step. Each word you write on a napkin or notepad is a step on the road toward your goal. Writing is the only way we improve and get better. Sure, there will be potholes and obstacles along the way (mostly in the form of a rejection notice) but that will make it all the more sweeter when we get there.
As we write and improve we build momentum and confidence. That momentum carries us through to the finish line. With that said, always challenge yourself through your writing. Pull those kernels of knowledge and wisdom that can be found in rejection and criticism and use them. Look at all your writing not as a pile of papers with stories that stink on them but rather milestones along your journey.
In closing I will leave you with this statement from a senior editor. It's always good to close the day with some wisdom.
“In the life of a real writer, nothing is ever lost, no word you write is a waste of your time or energy.” - Dan Wickenden
Have a good weekend and happy writing.
Aug 20, 2009
In the Quest for Knowledge
You know, sometimes things just land in your lap. Today I was really thinking about what I was going to write. Have you ever been so busy even your thoughts are in fragments? I'm there right now. Fortunately for me I had a gift land in my lap. Actually it was two. The first one is in the form of another Blog Talk Radio Show. This show is hosted by author Frank Fiore. Now where have I heard that name before....anyway, Frank is talking about the benefits of back story in his show. The first episode is already up and you can listen to it by clicking on the second player on the right hand side. He is interviewing an author but they cover some interesting aspects about back story and how it impacts the direction of your manuscript. I encourage you to give it a listen and share your thoughts.
As great as that gift was, the second one is really sweet. I stumbled upon another blog about writing and this one instantly caught my attention. Why? Kaye Dacus over at KayeDacus.com has a three part series posted about the inner workings and development of bad guys in your writing. As much as we need a really good hero we equally need a really bad villain. This three part series is surely to have helpful information. I invite all of you to read this series and share what you liked about it or what you learned.
The main focus of the New Author has always been and will always be centered on learning. As we learn we get better so whenever I stumble across helpful information of any kind that we, as new writers, can benefit from then you can be assured it will end up right here for all of you.
As great as that gift was, the second one is really sweet. I stumbled upon another blog about writing and this one instantly caught my attention. Why? Kaye Dacus over at KayeDacus.com has a three part series posted about the inner workings and development of bad guys in your writing. As much as we need a really good hero we equally need a really bad villain. This three part series is surely to have helpful information. I invite all of you to read this series and share what you liked about it or what you learned.
The main focus of the New Author has always been and will always be centered on learning. As we learn we get better so whenever I stumble across helpful information of any kind that we, as new writers, can benefit from then you can be assured it will end up right here for all of you.
Aug 19, 2009
PREMIUM PROMOTIONAL SERVICES BOOK TITLE PROMOTION: "CYBERKILL"
Title: CyberkillAuthor: Frank F. Fiore
ISBN: 978-1-60145-806-3
Genre: Science Fiction
Pages: 362
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
“DO YOU WANT TO EXECUTE? Y/N”
With the stroke of the ‘yes’ button Travis Cole’s life, the life of his daughter, his friends and everyone on the planet hangs in the balance. Thinking he deleted all of his artificial intelligent (AI) agents Travis begins a new life. What he is unaware of is…he forgot one.
Dorian, the leader of the Digitari Brotherhood and forsaken AI, unleashes multiple cyber-terrorist attacks on the United States with one true target in mind – Travis Cole. As each of the attacks from the bitter and forsaken AI fail Travis gets closer to realizing the truth of the nightmare his life has become. Dorian will stop at nothing to have its revenge against the man who tried to terminate him, even if that means destroying mankind to do it.
“Cyberkill” is a sci-fi thrill ride with fast pace action and gripping realism.
It is clearly evident that Author Frank Fiore went to great lengths researching the technology, locations, and government agencies when writing “Cyberkill” which lends to the believability of the story. But Fiore goes beyond that by developing rich and interesting characters, tense drama and moments of mirth. It is easy to connect with Travis as he tries to save the day but what is amazing about Fiore’s writing style is his ability to deliver the motivations for Dorian in a way that readers can both understand and sympathize with.
By weaving together current events, the Internet, real scenarios, action and suspense “Cyberkill” instills enough paranoia to make the reader wonder as they frantically turn the pages to find out what happens next.
Those who read Science Fiction will love “Cyberkill” but make no mistake anyone who uses a computer will enjoy this thriller. This story of revenge and survival will stay in your mind long after you finish reading it. “Cyberkill” is a must read.
The Internet will never be the same after you read…”Cyberkill.”
If you would like to learn more about author Frank Fiore, his book "Cyberkill" or to purchase "Cyberkill" you can by following these links:
Aug 17, 2009
Your Inner Author
It's all fun and games until someone adds rules and pins you against the wall. This is how I'm feeling at the present time. Writing has been a blast for me and I have learned a lot about myself from my writing but lately I feel a change on the horizon. Are you feeling it too? Well, you may need to know what the change is first in order to answer that.
As you all know I am working on my first manuscript. Actually I am working on the second draft of my first manuscript. As I was reading and editing the second draft I realized how smooth the pace was, I was happy with the flow and how the story was coming together...and then I started to worry! Was something wrong? Did I miss something by becoming disillusioned? Am I connecting with my story on that level that authors get to when rejection is so devastating? All these questions and more ran through my mind.
Coincidentally this was at the same time that I listened to Jo-Anne's show with Larry Brooks. He was discussing the importance of story structure. Did I have story structure? Great, another question to add to the stockpile building in my head. Oh but it didn't stop there, then came Larry's guest article about the same topic but in more detail. This really got me thinking and examining not only my writing but myself as well. Surprisingly enough the main point of focus was not my writing but my inner author.
As we work, study and write we inch closer and closer to that goal of seeing our manuscript in print but I am also realizing that we are also inching closer to a decision. That decision is whether we want to be a professional author or if we want to write for the fun of it - kinda like a hobby. There is nothing wrong with either one but they have a different set of rules, circumstances and rewards. In the end, it is a mindset that we embrace.
But I have already said I want to be a published author. That is really good but saying it and making the decision, after understanding what it takes to get there, to actually do it are two different things. It is similar to saying "I want to buy a house" but when the time comes to sign that contract and take on that mortgage it becomes real, the nerves set in, and we understand the weight of our decision.
Yes, I see the decision about writing being that big. Is it a scary decision? In some ways yes but it is also exciting. The main thing I am learning as I approach this decision is that we need a thick skin not only against rejections and bad reviews but also from the rules and guidelines for fiction writing. We should always remember to remain flexible and fluent so we can adapt to the demands of those rules and what the publishing world wants at the same time maintain the integrity of our manuscript. We learn from everything and I believe it is important that we retain what we learn to apply to our writing.
As I have said many times before, this thing called writing is a business for some and a passion for others. I believe that if we make the decision to commit to becoming a published author we will find a middle area between the two as we move forward. What about my inner author? He told me that no matter how hard things may get from the rules/guidelines, rejections or whatever the future holds he has something to say and he wants to see those things on a bookshelf.
What is your inner author telling you?
As you all know I am working on my first manuscript. Actually I am working on the second draft of my first manuscript. As I was reading and editing the second draft I realized how smooth the pace was, I was happy with the flow and how the story was coming together...and then I started to worry! Was something wrong? Did I miss something by becoming disillusioned? Am I connecting with my story on that level that authors get to when rejection is so devastating? All these questions and more ran through my mind.
Coincidentally this was at the same time that I listened to Jo-Anne's show with Larry Brooks. He was discussing the importance of story structure. Did I have story structure? Great, another question to add to the stockpile building in my head. Oh but it didn't stop there, then came Larry's guest article about the same topic but in more detail. This really got me thinking and examining not only my writing but myself as well. Surprisingly enough the main point of focus was not my writing but my inner author.
As we work, study and write we inch closer and closer to that goal of seeing our manuscript in print but I am also realizing that we are also inching closer to a decision. That decision is whether we want to be a professional author or if we want to write for the fun of it - kinda like a hobby. There is nothing wrong with either one but they have a different set of rules, circumstances and rewards. In the end, it is a mindset that we embrace.
But I have already said I want to be a published author. That is really good but saying it and making the decision, after understanding what it takes to get there, to actually do it are two different things. It is similar to saying "I want to buy a house" but when the time comes to sign that contract and take on that mortgage it becomes real, the nerves set in, and we understand the weight of our decision.
Yes, I see the decision about writing being that big. Is it a scary decision? In some ways yes but it is also exciting. The main thing I am learning as I approach this decision is that we need a thick skin not only against rejections and bad reviews but also from the rules and guidelines for fiction writing. We should always remember to remain flexible and fluent so we can adapt to the demands of those rules and what the publishing world wants at the same time maintain the integrity of our manuscript. We learn from everything and I believe it is important that we retain what we learn to apply to our writing.
As I have said many times before, this thing called writing is a business for some and a passion for others. I believe that if we make the decision to commit to becoming a published author we will find a middle area between the two as we move forward. What about my inner author? He told me that no matter how hard things may get from the rules/guidelines, rejections or whatever the future holds he has something to say and he wants to see those things on a bookshelf.
What is your inner author telling you?
Aug 14, 2009
The Most Important Thing You Will Learn About Storytelling...Ever! by Guest Blogger - Larry Brooks
If you’re a writer – and you are if you say you are – then by definition you’ve signed up for a process. Especially if what you write is fiction, and even more especially if you write novels. The moment you face an empty screen or a blank sheet of paper, you are embarking on a process of creation.
While there are a few folks, I suppose, who write novels just for the fun of it, the vast majority of novelists harbor the dream of seeing their work in bookstores. Which means, however you label it, they intend to turn pro at their craft.
And yet a huge percentage of writers don’t understand the very essence of what that means. They want to do it their way, rather than the way professionals do it.
Writing vs. Storytelling
Oh, they can write, all right. They create elegant sentences that move readers to tears. They craft characters more compelling than anyone you’ve ever actually met. They describe settings and choreograph drama with a cinematic sensibility that would make Spielberg proud.
And yet, these same writers often reject and dispute the concept of story structure, and they rail against any attempt to infuse it into their process. Their battle cry is, “I hate outlining,” and they support it with arguments such as, “I just turn my characters loose… I allow them to roam about and see where it goes… I enjoy the spontaneity of writing without knowing where the story is headed.”
They are organic writers, referred by as some as “pantsers” (as in, seat-of-the-pants storytellers). And, as a rule, they despise outlining.
Which brings us to a critical point: outlining and story structure are different things. One is a process, the other is a product. Which means the debate between outlining and pantsing is a waste of breath and energy.
The Real Question at the Heart of Storytelling
The critical issue, one that runs much deeper is this: the baseline knowledge of the fundamental principles – not processes – of storytelling you bring to the keyboard, outline or no outline, before you begin telling your story.
It’s like knowing the words to a song before you sing it. A no brainer – you’re gonna get booed out of the karaoke bar unless you do. And yet, well-intended writers embark down the narrative road without any understanding of the essential structure of the story they are about to tell.
An idea does not a story make. Professional writers know this.
If you understand the basic tenets of story structure, then your process isn’t what will make or break you. Pantsers who do will succeed, as will outliners who do. Because both are doing the same thing in different ways, armed with the same set of tools and essential principles.
They know the words to the song, they’re just experimenting with the melody in different ways.
The Wrong Reason to “Pants”
Trouble is, pantsing is the process of choice for folks who don’t have that understanding. Who don’t know the words to the song they are about to sing. So they make it up as they go along. Pantsing their only choice, because you really can’t outline a story unless you know what the generic outline looks like. And story structure is nothing if not a generic outline.
If you doubt this, your writing dream is at risk. This is like a doctor denying that blood pressure is a critical variable during surgery. They’d rather just make up their own variables as they hack away.
But the patient’s life depends on the doctor’s understanding of the fundamentals. And so does your story in the hands of you, its doctor.
Structure: the Holy Grail of Storytelling
Successful authors, whether they’re outliners or pantsers, understand that there is a basic model, or paradigm, for story structure. It is relatively consistent, accepted and proven over centuries and decades, and is an expectation from the agents and editors who will read your work.
But sadly, mysteriously, it gets little airtime in the oeuvre of fiction writing instruction. Screenwriters are weaned on it, but novelists… not so much.
Do you know what it is? Are you writing your novels without it? Every successful pantser you can name does know it. They know everything about story structure in all its generic glory, in fact.
Many pantsers can’t handle that truth. So they keep drafting away, with a deaf ear toward the principles of story structure, citing authors such as Stephen King who proudly proclaim themselves as brothers.
Trouble is, Stephen King knows something they don’t. He knows story architecture. Like the back of his trembling hand. Like Tiger Woods knows how to read a green. Like an F-18 pilot knows how to dogfight without consulting the manual. Like any solid professional knows their craft, even when they’re just winging it.
Stephen King’s stories pour out of his head with everything in the proper sequence, at the right pace, with expected milestones planted as specified in the conventional wisdom of storytelling. Sure, successful pantsers are winging it. But they’re doing so in context to accepted story architecture.
If that’s you… pants away. If it’s not you, then this is your lucky day. Because this is a wake-up call that can make your career. The sooner you study and incorporate the generic principles – the accepted model – of story architecture into your process, the sooner you’ll go to the next level.
It’s not about outlining. Never has been. Because once you understand story architecture, its generic principles will be is seared into your writer’s brain forever.
And from there, outline or no outline, the sky becomes your limit.
Larry Brooks is a bestselling author and noted writing instructor. His website, www.storyfix.com, is an instructional resource for writers with an emphasis on story architecture. A 12-part series on story structure recently appeared on his site, and is available there in archive. His new ebook, “101 Slightly Unpredictable Tips for Novelists and Screenwriters,” is also available from his site, or can be ordered here.
Aug 13, 2009
Announcements and a Guest
Earlier I posted an article about planning, writing from the seat of your pants and story architecture. I received comments asking for more detail in regards to that topic. So, instead of writing one myself and in the effort to provide accurate information I approached an expert on the topic. Larry Brooks is a bestselling author and a teacher of fiction writing. After reading my article and hearing my thoughts about another, more detailed, article he agreed to prepare one for the New Author. That article will be posted bright and early tomorrow morning. As a bonus Larry will be stopping by to address comments. If you would like to read the previous article, click here.
Also, next Tuesday Larry and Jo-Anne will continue their journey in the land of Blog Talk Radio. If you have missed these shows, which air at 1:00 EST, you can catch up by clicking on the titles to the right on the BTR widget. These shows are packed with useful information. This Tuesday's show is about the journey from idea to story. This will be an interesting show as they look closely at the process of taking an idea and developing it into a working story.
I am happy to announce that J. Thorn, a regular here on the New Author, is in the process of finding an agent. His manuscript is ready for that next step so if you get a moment lend your support to an up and coming author. Knowing he has the backing of the New Author community will, I'm sure; take the edge off the rejection letters. With that said, if there are any of you in the same boat as Thorn let us know. We are here to support and motivate each other all the way to the publisher's door.
Aug 12, 2009
Author Interview - Frank Fiore Part II
Today we continue our interview with author Frank Fiore. If you missed part I from yesterday I encourage you to read it. Now, lets get back to the questions. Frank's responses in bold.6. Travis Cole is the main character in Cyberkill. What does this character mean to you and how did you develop this character?
He’s a lot like me. A driven person but in to short cuts. Those short cuts cause a lot of problems in CyberKill. For me, I hired a story polisher to take what I had written and punch it up to make it more professional. He was an accomplished novelist and did the job it would take me years to learn.
7. In your opinion, what is the most difficult part of writing science fiction?
CyberKill is not so much science fiction as it’s science speculation. In either case, believability is the key.
8. You have sold over 50,000 copies of your non-fiction books. What did it take for you to achieve this milestone?
Seriously, very little on the publisher’s part even though they were a big New York house. What made the books a success is that they were part of a recognizable series and recognized as such by readers.
9. Writing is a labor of love and hard work. What brings you the most enjoyment when writing your novels?
Their completion !! As Gloria Steinem once said, “I do not like to write - I like to have written.”
10. What advice can you give to new authors?
Write, write and write. Finish a book and go on to the next. Write as many as you can and don’t look back. There’s only one strategy in my opinion that makes a successful author- one who makes real money. Keep writing until one of your books hits it big. Then, readers will go back and buy your other books. Dan Brown is an excellent example of this.
11. What or who inspired you to write?
No one really. I decided to be a novelist in high school and wrote part of my first novel there. If anything inspires me to write, it’s watching movies.
12. Where can the readers pick up a copy of Cyberkill?
They can buy it at BookLocker.com. That’s my publisher. Or they can buy it at Amazon or B&N.
13. Would you like to share any closing thoughts?
Yes. As a writer you have to have a thick skin and you have to not give up. When I get a set back I pick myself up and move forward again. One’s success is in the future – not the past. The future is what you keep your eye on.
If you would like to read more about "Cyberkill" and/or about author Frank Fiore you can by following these links:
Aug 11, 2009
Author Interview - Frank Fiore
Today will be part one of a two part interview with author Frank Fiore. As you will soon learn Frank is an established author and his recently released book "Cyberkill" is making some waves. Frank's responses will be in bold.1. Who is author Frank Fiore?
Frank Fiore is a bestselling author with more than 50,000 copies of his non-fiction books in print. He has now turned his talents to writing fiction.
Frank has also written “To Christopher” that, under the guise of a book to his young son, leads the reader through social commentary, personal experience and entertaining stories that take the reader on a thoughtful journey through the challenges and opportunities that face the next generation.
Frank’s writing experience also includes guest columns on social commentary and future trends published in the Arizona Republic and the Tribune papers in the metro Phoenix area. Through his writings, he has shown an ability to explain in a simplified manner, complex issues and trends. During his college years, he founded, wrote and edited the New Times newspaper, now a multi-state operation, which recently purchased The Village Voice.
Frank’s interests in future patterns and trends range over many years and numerous projects. He co-wrote the Terran Project, a self-published book on community futures design processes, and worked as a researcher for Alvin Toffler on a series of high school texts on the future. He has designed and taught courses and seminars on the future of society, technology and business and was appointed by the Mayor of Phoenix to serve on the Phoenix Futures Forum as co-chairperson; serving on several vital committees.
Frank has a B.A. in Liberal Arts and General Systems Theory from Stockton State College and a Masters Degree in Education at the University of Phoenix. He and his wife of 30 years have one son. They live in Paradise Valley, AZ.
2. Can you shed a little light on your new book Cyberkill?
Fans of Tom Clancy, James Patterson and Clive Cussler, would enjoy this twist on the Frankenstein myth.
A brilliant programmer, Travis Cole, inadvertently creates "Dorian," an artificial intelligence that lives on the Internet. After Cole attempts to terminate his creation, Dorian stalks his young daughter through cyberspace in an attempt to reach Cole to seek revenge. When cyber-terrorism events threaten the United States, they turn out to stem from the forsaken and bitter Dorian.
In the final conflict, Dorian seeks to kill his creator - even if it has to destroy all of humanity to do it.
The geographic locations, government and military installations and organizations, information warfare scenarios, artificial intelligence, robots, and the information and communications technology in this book all exist. As for SIRUS, pieces of the technology are either in existence or in the research and development stage. According to the Department of Defense, it doesn’t exist.
The Fars News Agency of Iran reported otherwise.
3. How much research did you do when preparing to write Cyberkill?
The book was 10 years in the writing. Being a technology book and wanting to be exact as possible, I had to read technical manuals, papers, web sites, and R&D proposals then stretch what I had read into a plausible scenario.
4. Do you believe an author can research a topic to much when writing about it?
An author should research just as much as required to tell a believable story.
5. You recently found out that Cyberkill has been prepared as a screenplay. What's the difference between writing a screenplay and a novel?
Quite a bit. Novels are filed with narrative and descriptions. Screenplays are 90% dialogue and only 10% description and that too is very sparse. Just enough to give the director a feel for place, setting and action.
We will continue this interview with part II tomorrow.
Aug 10, 2009
Why Do I Post Book Reviews?
I'm sure many of you ask that question from time to time. Especially when I post a review about a book that stirs up emotions such as the one located below this article. I thought I would share my thought process with you on the whole book review thing. First, I read a lot of books and I believe as new authors we need all the help we can get promoting our books. I also believe that there is something to be learned from everything. If a book review gives us a glimpse of the author's passion, skill or writing style then perhaps it will drive us to do a little research and learn more about that passion and/or writing style.
I find that religious books are often the subject of heated debates and stir up emotions more then other books would or do. That is the nature of the very topic now-a-days. As many of you know, I am a Christian; however, like the other books I post reviews about, I enjoy reading, writing, and posting reviews about books based on religion. If you want to talk about passion look no further then this genre. The authors and supporters are passionate about what they write and those who do not support it are just as passionate.
If you should read a review and it entices you to get the book then that is wonderful. I really couldn't ask for more. But we are writers and in my opinion we should be looking at these reviews a little differently. As one of my friends wrote "it is interesting reading about the belief, passion, and motivation of other writers." Why is that? It gives us examples and lends to our thoughts, passions, and motivations.
It is my goal to post reviews that not only shine a light on the book but also the author in a manner that all of us can possibly connect with and learn from them and others.
PPS Book Title Promotion: "Be Not Deceived"
Title: "Be Not Deceived"
Author: Edward F. Mrkvicka, Jr. with Kelly Helen Mrkvicka
ISBN: 141209003-2
Genre: Religion
Pages: 180
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
Heaven or Hell…which do you choose?
The two options we have as we journey through life and enter eternity. This point is illustrated, supported and examined in “Be Not Deceived.”
If you are a Christian striving for understanding and a closer relationship with our Lord and Savior, you will truly love and embrace this book. Unlike other books with religious themes, “Be Not Deceived” is surprisingly easy to read—very enjoyable.
The main question throughout “Be Not Deceived” is simple…
“Are you truly saved?”
Mrkvicka answers with many interesting facets. Supporting his theories, he applies the facts with multiple verses found in the Holy Bible. Reading “Be Not Deceived”, will challenge your thinking and your understanding of the scriptures in a way not many books can do. By the end, you will have a crystal clear understanding of God’s mercy, love, and desire for us to walk with Him.
As a break from the norm, Mrkvicka includes a guide. This list is broken down by topic, with scriptures as reference to resolve these situations in a practical fashion. Finally, in today’s mode of uncertainty, the reader will feel assured—containing wisdom and then applying the practical advise given as reference from “Be Not Deceived”.
Right from the first paragraph, Mrkvicka’s writing will capture your undivided attention. Again and again, he presents a wealth of knowledge with a pace that’s quick and always fresh with new ideas. No random and unnecessary repetition of subjects. The heart filled passion and absolute conviction of true love for our Lord and Savior is virtually on every page.
Need clarity about your relationship with God and our Lord and Savior, Jesus Christ?
I recommend reading “Be Not Deceived”…an excellent resource book that will change your life forever. Now you can feel assured as you venture through this existing journey in life, and be totally prepared for the Lord’s planned eternity.
You can learn more about and purchase this book HERE.
Aug 7, 2009
Writing by the Seat of Your Pants or Planner?
What kind of writer are you? Are you the type of writer that gets an idea, seats down and starts writing or are you the type to outline your idea then start writing? I bet it is safe to assume that many of us get an idea and start writing. That is the fun way to writing in my opinion but is that the correct way to right?
Writing for the shear joy of it has its value because that passion and joy will find its way in the manuscript but what if you have the goal to write because you want to be published? Will this approach work?
I listened to a very informative Blogtalk Radio discussion about this. You are welcome to click on it to the right and listen as well. I won't mind if you pause to listen then come back...okay back to the article. The main speaker is Larry Brooks and he is a published author of four books. He also gives seminars and classes on writing. The truly unique thing about Larry is that three out of his four books were picked up by publishers and made the bestsellers list from the first draft! What a minute, he wrote a first draft, submitted it and it became a bestseller? You are correct. Is it because he is a genius? No, Larry will be the first to tell you that he did this by first researching the story architecture. The story what?
The story architecture is the make up of the manuscript and yes there is more to a manuscript then beginning, middle, and end. There are actually four parts to a manuscript - setup, response, attack, and denouement. Agents and publishers look for this structure in manuscripts and this is often the reason we get rejection letters. Many authors are really good writers but can't get their novels sold or published and they don't understand why. This is why. Their manuscript doesn't follow the story architecture. Following the architecture is like writing in a box, a very big box, and when we write outside that box we run into trouble.
But I hate outlining. I like writing as my emotions allow. There is nothing wrong with this. It's just the scenic route to the finish line. Writing like this will most likely require many revisions/drafts but each draft will slowly pull your story into this architecture. This is referred to as 'planning in progress.'
The great thing is that you don't have to actually outline to get a really good first draft prepared. With a little thought of how your story progresses from scene to scene, plot to plot and a general understanding of the story architecture you should be well on your way to nailing down that first draft.
There are those that need a lot of notes to complete their drafts and then there are those who seat down, write and the structure comes to them naturally. These are organic writers. Stephen King is an organic writer. I believe many of us are somewhere in the middle. I am not organic but nor do I write at length a lot of notes.
At the end of the day it is important for us to keep writing but to also pull back a moment to research writing. Understanding our passion is the greatest way of really capturing our passion to meet our goals.
Again, I invite you to listen to Larry and Jo-Anne on Blogtalk radio. Also, Larry is writing at length about this topic which you can find HERE.
Writing for the shear joy of it has its value because that passion and joy will find its way in the manuscript but what if you have the goal to write because you want to be published? Will this approach work?
I listened to a very informative Blogtalk Radio discussion about this. You are welcome to click on it to the right and listen as well. I won't mind if you pause to listen then come back...okay back to the article. The main speaker is Larry Brooks and he is a published author of four books. He also gives seminars and classes on writing. The truly unique thing about Larry is that three out of his four books were picked up by publishers and made the bestsellers list from the first draft! What a minute, he wrote a first draft, submitted it and it became a bestseller? You are correct. Is it because he is a genius? No, Larry will be the first to tell you that he did this by first researching the story architecture. The story what?
The story architecture is the make up of the manuscript and yes there is more to a manuscript then beginning, middle, and end. There are actually four parts to a manuscript - setup, response, attack, and denouement. Agents and publishers look for this structure in manuscripts and this is often the reason we get rejection letters. Many authors are really good writers but can't get their novels sold or published and they don't understand why. This is why. Their manuscript doesn't follow the story architecture. Following the architecture is like writing in a box, a very big box, and when we write outside that box we run into trouble.
But I hate outlining. I like writing as my emotions allow. There is nothing wrong with this. It's just the scenic route to the finish line. Writing like this will most likely require many revisions/drafts but each draft will slowly pull your story into this architecture. This is referred to as 'planning in progress.'
The great thing is that you don't have to actually outline to get a really good first draft prepared. With a little thought of how your story progresses from scene to scene, plot to plot and a general understanding of the story architecture you should be well on your way to nailing down that first draft.
There are those that need a lot of notes to complete their drafts and then there are those who seat down, write and the structure comes to them naturally. These are organic writers. Stephen King is an organic writer. I believe many of us are somewhere in the middle. I am not organic but nor do I write at length a lot of notes.
At the end of the day it is important for us to keep writing but to also pull back a moment to research writing. Understanding our passion is the greatest way of really capturing our passion to meet our goals.
Again, I invite you to listen to Larry and Jo-Anne on Blogtalk radio. Also, Larry is writing at length about this topic which you can find HERE.
Aug 4, 2009
PPS Book Title Promotion: "Give Wings to My Triumph"
Title: Give Wings to My Triumph
Author: Reagan Rothe
ISBN: 978-0-9821012-3-0
Genre: Children (age 5 to 8)
Pages: 33
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
The peaceful town of Waxley, located on the edge of Aldash forest, is made entirely of wax. It is the home for a most curious boy, Saucir. However, Saucir is much more then curious; he has an imagination large enough for three children his age. With his oversized imagination, Saucir pretends to defend Waxley from the ghouls and monsters that live in the Aldash forest on a daily basis.
While playing one day, Saucir crosses paths with a pigeon. After a brief conversation with the bird, he gets a wonderful idea….he wants to fly like the pigeon. But Saucir has no idea how to fly. When told of Saucir’s idea, the pigeon just laughs and replies “you don’t have wings.” Saucir is not that easily deterred from his dream of flight so he wanders off to find a way to fly. While thinking of flight, Saucir walks until he is in front of the candy store. Saucir’s dream of flying is put on hold at the thought of candy. With his favorite candy (the jawbreaker) in hand Saucir makes his way to the playground eager to share his dream with his friends. As he makes his journey, Saucir begins eating this oversized ball; determined to get the special prize in the center. But like learning to fly, even getting the prize from his favorite candy seems to take forever. At the playground, Saucir shares his dream with his friends but the response is the same “you don’t have wings.”
Angered by the same response but still determined, Saucir hurries home to tell his family about his dream. Surely, they would be supportive in his dream. Imagine his heartbreak when he hears “you can’t fly, you don’t have wings.” Furiously, Saucir
runs away, racing deep into the Aldash forest right into a cave. Suddenly, before his wide eyes, he gawks in awe at the most magnificent flying creature in the area, Brax the dragon.
Brax, being a wise and compassionate creature, is intrigued by this boy who has invaded his home. He listens while Saucir shares his dream of flying. After their encounter, Saucir heeds Brax and heads home too apologizes to his parents for running away but, that does not deter his dream to fly. He wants to fly now. He does not want to learn in school first as Brax also advised. Will the impatient determined, Saucir finally learn too fly?
“Give Wings to My Triumph”, is a delightful tale that will capture the imagination of children while teaching them the importance of having morals – the virtue of patience, and to be respectful of a loving family.
Rothe has the unique ability to craft positive morals and ethics within an adventurous tale. His writing style is descriptive and fun – surely this tale with put a smile on the faces of both children and the young at heart.
Author: Reagan Rothe
ISBN: 978-0-9821012-3-0
Genre: Children (age 5 to 8)
Pages: 33
Reviewed By: Brian Knight
Official Premium Promotional Services Rating:
The peaceful town of Waxley, located on the edge of Aldash forest, is made entirely of wax. It is the home for a most curious boy, Saucir. However, Saucir is much more then curious; he has an imagination large enough for three children his age. With his oversized imagination, Saucir pretends to defend Waxley from the ghouls and monsters that live in the Aldash forest on a daily basis.
While playing one day, Saucir crosses paths with a pigeon. After a brief conversation with the bird, he gets a wonderful idea….he wants to fly like the pigeon. But Saucir has no idea how to fly. When told of Saucir’s idea, the pigeon just laughs and replies “you don’t have wings.” Saucir is not that easily deterred from his dream of flight so he wanders off to find a way to fly. While thinking of flight, Saucir walks until he is in front of the candy store. Saucir’s dream of flying is put on hold at the thought of candy. With his favorite candy (the jawbreaker) in hand Saucir makes his way to the playground eager to share his dream with his friends. As he makes his journey, Saucir begins eating this oversized ball; determined to get the special prize in the center. But like learning to fly, even getting the prize from his favorite candy seems to take forever. At the playground, Saucir shares his dream with his friends but the response is the same “you don’t have wings.”
Angered by the same response but still determined, Saucir hurries home to tell his family about his dream. Surely, they would be supportive in his dream. Imagine his heartbreak when he hears “you can’t fly, you don’t have wings.” Furiously, Saucir
runs away, racing deep into the Aldash forest right into a cave. Suddenly, before his wide eyes, he gawks in awe at the most magnificent flying creature in the area, Brax the dragon.
Brax, being a wise and compassionate creature, is intrigued by this boy who has invaded his home. He listens while Saucir shares his dream of flying. After their encounter, Saucir heeds Brax and heads home too apologizes to his parents for running away but, that does not deter his dream to fly. He wants to fly now. He does not want to learn in school first as Brax also advised. Will the impatient determined, Saucir finally learn too fly?
“Give Wings to My Triumph”, is a delightful tale that will capture the imagination of children while teaching them the importance of having morals – the virtue of patience, and to be respectful of a loving family.
Rothe has the unique ability to craft positive morals and ethics within an adventurous tale. His writing style is descriptive and fun – surely this tale with put a smile on the faces of both children and the young at heart.
To learn more about this book and/or purchase click HERE.
Aug 3, 2009
"Poneasequa the Goddess of the Waters" Book Excerpt
A few weeks ago I posted a book review for "Poneasequa the Goddess of the Waters." I recently found out that Stephanie, the author, had just begun her book tour for this very book. In an effort to help out a new author with that tour I contacted Stephanie and ask her for an excerpt to post for you here. So the following is a sample of what you will find between the covers of "Poneasequa the Goddess of the Waters."
"McKenzie already stood over 5 feet tall and was growing every time she turned around. She had very long jet black hair and brown almond shaped
"McKenzie already stood over 5 feet tall and was growing every time she turned around. She had very long jet black hair and brown almond shaped
eyes that turned gray when you looked long enough at them. Her skin was darker than all of her class mates; it had a copper-brown tint, which sometimes turned almost deep red from the sun in the hot summer months. Her complexion never bothered her, it was her height that was a constant reminder that she was a true Wampanoag and that her ancestors were walking with her. McKenzie’s mother told her that the average Wampanoag woman stood over 6 feet tall and the average man ranged from 6 feet to 7 feet. She also said that McKenzie should be proud of this physical characteristic, but as far as McKenzie was concerned it was an obstacle and something that got in the way of daily life, mainly because she was always grouped with the boys for almost any class activity, i.e. line up, recess, gym class, and picture day and so on. McKenzie lived on a peninsula which was a part of Martha’s Vineyard called Chappaquiddick (Chappy for short). She was told that many years ago the Wampanoags who lived in Gay Head would walk the 30 miles down island and spent the summer on Chappy and that this part of the Vineyard was as special as Gay Head. There were many places to explore, but for McKenzie Chappy was a place where hard work took place from 6 am to sundown, regardless if she had finished her chores or not.
McKenzie lived in her grandfather’s house with her mother and much older brother Hunter. Her grandfather ran a farm and was constantly working
McKenzie lived in her grandfather’s house with her mother and much older brother Hunter. Her grandfather ran a farm and was constantly working
outside either with the animals or planting vegetables or smoking fish or shucking scallops, it goes on and on. The man never stopped moving, well of course except for Friday afternoon which was the day he went to town or some weekends he would put together a sweat lodge and put skunk grease all over his body and steam all of the aches and pains away. McKenzie did not know that her grandfather suffered from severe arthritis, but like many Wampanoags, did not go to a Western doctor for any help."
I hope you enjoyed this snippet of "Poneasequa the Goddess of the Waters." If you would like to learn more about the book, author or purchase the book you can HERE.
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